Monsters Paradise: The Becoming of Her Divine Beast, es la exposición con la que la artista británica Vanessa Raw inauguró Georgina Pounds Gallery en Ciudad de México.

In Over, Under and In Between at Fondazione Prada in Milan, Mona Hatoum transforms nets, maps, and grids into installations that explore territory, control, and the fragile structures that shape how we understand space.

Born in Mumbai in 1954, Anish Kapoor has spent decades redefining the possibilities of sculpture. After moving to London in the early 1970s, he studied at Hornsey College of Art and later at Chelsea School of Art, where he began developing a practice centered on material, perception and spatial illusion. Over the past four decades and more, Kapoor’s work has ranged from intimate pigment sculptures to monumental public commissions—most famously Cloud Gate in Chicago. Across these different scales, he keeps returning to the same question: how sculpture can reshape the way we experience space.

The studio Animate Objects, founded by designer Zeynep Satık in Istanbul, develops a body of work that sits somewhere between furniture design and sculpture.

Ubicado en Brumadinho, a 60 kilómetros de Belo Horizonte, el Instituto Inhotim abrió al público en 2006 por iniciativa del empresario y coleccionista Bernardo Paz. Concebido como una institución privada y sin fines de lucro, el proyecto combina museo de arte contemporáneo y jardín botánico en un área de visita de aproximadamente 140 hectáreas, donde conviven más de 4.300 especies de plantas.

En el Alto de Las Palmas, a las afueras de Medellín, Garden of the Soul es un centro de yoga de 250 m² diseñado por ar_ea. Concebido como un espacio para la práctica y la pausa, el proyecto organiza la experiencia desde el recorrido.